The hats are just a pain in the ass when it comes to recording drums. I recommend it for people who have an "A game" when it comes to compression. Because you may have it gated a certain way, THEN compressed/limited, and some of the hits won't come out, of course. I wouldn't recommend gating first for somebody who is new to trying it, it makes things difficult if the drummer isn't consistent. Sometimes you will end up gating the shit out of it, and having to compress/limit it to death, or compress/limit it lightly, gate it really well, then eq the rest of the hats out. Depending on the drummer, you have to figure out which way to route your signal, as in.gate first then compress/limit, or compress/limit then gate. At least doing it yourself you get what you hear in your head down on tape.Yeah, you have to get really surgical with your gating and compression/limiter for that bottom snare. It is like everything, the more you practice the better you become! I find sometimes session drummers don't quite get what is being explained to them and you end up with something close but not what was intended which can send the song in a slightly different direction. If I keep it up I may become a better drummer lol. I can drum easier stuff but this original of mine is testing me, but at least I'm getting what is in my head down and what works for the arrangement. At least I can quantize now as I could not for a while there for some reason, then it just worked! It's a difficult piece for me as it is funky and lots of fast chocked crashes etc going on. I'm not a drummer but I am getting better and am just looping a region and practicing what works on the e kit and recording a bit at a time. Just finished another recording pass on the kit and have another ghosty. Only thing is you may only be able to edit them to a point, velocity stalks come to mind for example but my method might let you get it finished. It let me continue but then another crash I knew was on beat one of a bar - it's visible note became invisible but I might get away with it. Then what happened for me was the clanger showed up with the hidden notes and I erased them all then. On purpose record a clanger of a wrong note at the tail of the clip. Go back to your session and switch on midi merge. There are no other midi feeds into Addictive Drums 2 either (hidden or otherwise).Īny of you experiencing this, is there a fix? I quit Luna and restarted too but to no avail. It is a ghost note, not as we know it but a real bloody Ghost note, it doesn't want to leave my session, here to stay kinda ghost, lol I just discovered that no matter where I cut the track (the end of it off) this kick drum sounds. So to clarify, I have a note sounding where there is no note. I began to think I had a type of ghost note at the end of the previous bar so went to 64ths and clipped off a few where I thought the 'invisible' note is but it still sounds but strange thing is since I clipped it it now sounds earlier in timeline. And there are two visible notes at the end of the preceding clip and their two velocity stalks, no 3rd for the invisible note. When I mute my entire drum track (instrument) it does not sound so it is definitely on my drum track. The note is invisible and there are no other drum tracks playing, no kits recalled in Shape etc either. What I am noticing is a kick drum is sounding even though there is note note to be seen. I have been tracking drums and was preparing a few bars for punching in.
Hi, have Luna users noticed when working with midi some 'invisible' notes play the instrument?
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